Monday, 16 May 2011

THE NEW APPROACH TO SIMPLICITY- JAN-JAN VAN ESSCHE

In regards to John Galliano's well- documented break down I keep wondering what the fashion industry is doing to our most talented designers right now in the name of globalisation and the ever important profit. Too powerful co- operations demand more and more output from their creatives which usually are very sensitive individuals who need space and time to creatively re-load. Is it necessary to do 4 shows a year, plus numerous side and special collections? Do we need to buy every week a new trend or set of clothes? Luckily, there are still designers out there who want to challenge this system like the Belgium designer Jan- Jan Van Essche who shows us a different approach to designing collections and to us a new way buy into his way and leave the fashion fast lane behind.

Firstly, Van Essche shows just once a year during Paris Mens Fashion Days end of June. The first collection was shown last summer and was named YUKKURI- which is Japanese for ' Taking it easy' and this is his approach. The reason to design just once a year is that Essche offers us a range of clothes which is not depending on the season either. From T- shirts to knitted jumpers from long trousers and leggings to hooded jackets. You can find all the stables for a properly equipped wardrobe in one collection. The colours a muted- earthy-greyish tones which can be combined easily with pieces already to be found in your own wardrobe or/ and can easily be layered and adjusted threfore depending on the weather. Something which I find idealy for the everchanging skys of London. The layering gets rid of the separation of between summer and winter clothes, yes take it it easy!
Secondly all his pieces limited and numbered which gives a certain exclusivity which we hardly even can get anymore with our also mass marketed luxury brands. Additionally all pieces are produced already before the first presentation. Again this plays into the luxury and exclusivity of his collections since the buyers can just buy what is there- the production is not depending on the orders coming in- means when it's sold it's sold.
The third point is that he also does not differentiate between the sexes and different body shapes. All his clothes are unisex and one size and again take it easy!


All pictures Jan- Jan van Essche's 2010 collection-  YUKKURI

 Now we are seduced by his second collection, again with an unusual name, called SATTA AMASSAGANA which means ' Give Thanks' in Amharic. The collection#2 will be launched 09th- 19th of June in Antwerb and can be viewed during Paris Men Days SS 2012 from 26th- 29th of June in Paris.This collection builds naturally on his first collection with it's voluminous loose cuts which results in a non-conform, liberated masculinity free from restricting and gender-specific cuts fashionable since the late 1990's Hedi Slimane day's with it's skinny trousers and school boy blazer worn two sizes to small. Again the use of subdued colours makes it easy to combine the two collections with each other without alienating any pieces of the earlier collection. The colours even compliment the first collection by using also more lighter shades of dove blue to cream, rusty redsand and some ecru. Again there is no summer or winter for Van Essche- the collection creates the atmosphere of an urban warrior in a capital desert. Always ready for life and combat on the streets of modern cities. I think his approach to designing and especially marketing his collections is something new and fresh in a time where we must realize that the ' conspicuous consumption' is not sustainable anymore and the speed of fashion starts to destroy it's creators and the environment. I take my hat off in awe for Jan-Jan Van Essche and his 'simple' but very sophisticated way of dressing the modern man for the 21st century.








All above pictures from Jan-Jan Van Essche collection#2- SATTA AMASSAGANA
Stockists:
Brussels: http://www.huntingandcollecting.com/
Antwerp: http://www.ra13.be/
Antwerp: http://www.ateliersolarshop.be/
Rotterdam: http://www.nenxavier.nl/

Wednesday, 11 May 2011

Chanel - Cruise 2012 | The Tale of a Fairy The Short Film by Karl Lagerfeld Part 2 | Exclusive

Over-the-top, hilarious and beautiful. Do not try to make out of it more than it is. Just enjoy the beautiful people and the aesthetic.The Fashion Philosopher

Chanel - Cruise 2012 | The Tale of a Fairy The Short Film by Karl Lagerfeld Part 1

Over-the-top, hilarious and beautiful. Do not try to make out of it more than it is. Just enjoy the beautiful people and the aesthetic.The Fashion Philosopher

Monday, 9 May 2011

THE BOY WITH THE DRAGON TATOO- SHOREDITCH

On Friday I went to Shoreditch/ Bricklane for a birthday stroll in one of my favourite London areas. I went in into ROUGHTRADE, the independent record store to have look around but instead of a record or a book this guy caught my eye. I just loved the juxtaposition of his almost nerdy- square but hip outfit ( simple shirt, jeans shorts and side parting with a good splash of gel) but than you look down  his legs and there you could see most amazing tattoos. That what I call a style surprise and also a proof that you never should judge a present by it's packaging. OK, I did not get him as a present but I think you know what I mean....

Thursday, 14 April 2011

THE IOU- PROJECT- INDIVIDUALISM AND TRANSPARENCY


I keep the torch high for people who want to change our way of consuming fashion. Therefore I would like to  introduce you to the IOU- Project. IOU founder Kavita Parmer and Ricky Posner decided two years ago to produce clothes which celebrate individualism and on the other hand make the production process visible and transparent. Through the use of e-commerce tools, social media and digital marketing they are trying sell their clothes to people who want transparency, accountability and authenticity.
The basic of each garment is the traditional Indian Lungi, a 2 meter piece of woven cotton fabric, usually solid or in madras plaid. The design of each Lungi is unique and depends on the creative imagination of the weaver on the day of the production of each individual Lungi. Every piece of clothing is therefore different.
The garments are produced in Italy which helped to innovate new ways of productions since the garments are produced from these individual pieces of clothes instead of meters and meters of the same machine woven fabrics.
The use of videos make it possible for the customer to connect to the bottom of the production line and encourages the customer to follow up how his garment is being  made and even connects to the individual weaver of your garments. Furthermore IOU encourages his customers to take photographs of themselves in their IOU's, so that this again connects people on on different levels.
I think there is so much stuff going on here and in the end I was a bit reluctant to see the products, but after what I have seen, the designs are brilliant too by keeping a basic stable of items like simply cut shirts, ties, dresses and even espadrilles, and let the fabric speak for itself. I am absolute behind the IOU and they will go live on its website at the end of the this month. After the first ' appetizers ' of their collection below I will put all  further information about the IOU- Project at the end of the post. I hope I made you curious for the clothes and please spread the word.




All photos taken from the IOU's facebook website



For further information please visit the following links:
IOU- Project on facebook http://www.facebook.com/iouproject#!/iouproject
IOU- Project on youtube : http://www.youtube.com/watch?v=Yybe3hB3Ix4
IOU- Project interview with FashionablyMarketing.Me : http://fashionablymarketing.me/2011/04/iou-project-craft-fashion/

CARINE ROITFELD SPEAKS OUT- SPIEGEL.COM

I found this interview with Carine Roitfeld, former French Vogue Chief Editor, with the German political magazine Spiegel. I am really intrigued by how honest Madame Roitfeld talks about the fashion world today and I think it is true. The new globalised world squeezes out every creative energy to make it into 'quick bucks'. I think we really need to re-think our relation ship to fashion and consumerism. Please read through the interview go to this link: Spiegel.de

Carine Roitfeld ( photo by pspiegel.de )

Wednesday, 13 April 2011

IN BERLIN- FASHION SHOOT FOR FANTASTIC MAN MAGAZINE

Firstly I have got to apologize. I have not posted for ages. I just felt creatively blocked the last three weeks.

But enough of it, right now. I looked through my e-mails this afternoon. I would like to share with you this photo shoot for the up-coming issue of Fantastic Man magazine .
The shoot shows 7 gentlemen from Berlin, as you might know, my favourite place in Germany, the land I grew up in. Photographed by Paul Wetherell and styled by Jodie Barnes, Fantastic Man tried to caught the understated style of Germany's capital. The shoot is a co-operation with  thecorner.com. 
Enjoy the pictures and I promise to post more in the next time. I think Berlin helped me to find my muse again! Please enjoy the pictures.












The new issue of Fantastic Man will be out on 13th of April and the clothes of the shoot you can buy on thecorner.com.